- Wedding : Srilekha Mitra
- The House, the Child Pictured : Kamalakar Bhat
- Our Pond in July : Jharna Choudhury
- Say What? : Bruce Mcrae
- Cherita Terbalik : Barbara Anna Gaiardoni
- King of Ruins : Erin Jamieson
- As If There Were No Other Way : Jeffrey Zable
- Whimsy : Linette Rabsatt
- The Imperial Typewriters Factory, Leicester : Francesco Sani
- Breakfast With Ghosts : Steve Bruce
- Of Joys : Vinita Agrawal
- On a Call, After Your Leaving this City : Garima
- Paper Cuts in the Margin : Daniel Abukuri
Wedding : Srilekha Mitra
Twenty three broken mirrors
Glazed with the hazelnut ice-cream of your wedding
Slashed eyeballs rolling down the savannah green floor
Fresh milk spilling over the granite kitchen slab
Smoke rising from burning cigarettes
And a few hopes crying
Women wearing pretty white gowns
Their cheeks painted in red and golden
Grooving, holding their red heels
Sliced lemons dipped in white wine
Cherry lips wet with dew
It’s sour, ashes falling down the sky
Faces flocking towards the altar
Gaping mouths chewing steaks
Jealous fingers scratching the table enveloped in white sheets
Thunderous laughter sealing promises
Young bride winking wrapped in your arms
Bouquet of flowers brooding, seething
Water running down the tap
An overcooked chicken rotting in the oven
Wrinkled blue t-shirt stained with black coffee
White bedsheets crawling down the bed
Enshrouding me, blinding red lights
A strange choking smell
Jumbled alphabets swimming in a cup of tea
Hazy winter mornings drowning in a sea of grief
Violet of Dali’s Cenicitas devouring my skin
White flesh mixed with salt and pepper
Boiling hot oil splashing, half-burnt fingers
Slicing the pomegranates
Torn hairs, a bottle of ink and a fountain pen
Unfinished sentences basking in memories of your smile
Cold nights, razor sharp blade
Holding my breath
I see you in shades of black and white
My wrinkled spring in autumn nights
I want to be loved by you, alone!

Srilekha Mitra, a Postgraduate in English from Calcutta University, is a cinephile, writer, and researcher. With certifications in film and cultural studies, she’s published widely, and currently works as an NPTEL Pre-Doc Research Fellow at IIT Madras. Her interests lie in Cultural and Film Studies.
The House, the Child Pictured : Kamalakar Bhat
Yesterday, the air reeked of fire.
The embers of a hundred hopes lay bare,
glowing, gasping, refusing to fade.
By dusk, digging through the ruins,
mother hustled up a hearth
and cooked a thin porridge.
After, with wide, waterless eyes,
the child searched the rubble,
lifting the only unburnt thing—
a half-singed notebook.
Today, on its untouched white pages,
with the brilliance of her five-year-old mind,
a house takes shape again—
the same one swallowed by flames.
Every wall, every vine curling up the doorway,
restored in careful strokes,
except for one absence:
her butter-soft fingers
refuse to give form
to the cat—
the one that turned to ash with the home.
**

Kamalakar Bhat is a bilingual writer and a translator. He has published four collections of poems and four collections of translated poems in Kannada and has translated / edited four books in English. His poetry has been featured in AGNI, Indian Literature, Antonym, The Wise Owl, Muse India, Kritya, and anam.
Our Pond in July : Jharna Choudhury

This summer
rain
did to the pond
what bad weather did
to our television screen
when I was four.
The room
smelt of paint inside;
outside
rotten mangoes’ suicide
in the trembling water
and grief
fell from eye to eye,
to frayed ends of a white pillowcase,
boxed cotton,
memories of wanting to fly.
The hills smudge at a distance,
frenzy perhaps swifts
in grey gyres
directionless in all directions
whirling the vault;
plumes and promises
wherefrom summer breaks
hot
like a heartbreak.

Dr. Jharna Choudhury, a poet and hand embroidery artist from Assam, India, published her Assamese poetry collection Kaaya in 2023. Her creative writings appears in Muse India, Spillwords, SETU, Pine Cone Review, and The Little Journal of Northeast India. She has contributed to anthologies published by Indie Blu(e) Publishing, Authors Press and others. Her creative writing link is: https://linktr.ee/Jharna_Choudhury
Say What? : Bruce Mcrae
Colour me difficult, but I’d rather read
about the centre of the sun and spectral implausibilities.
I’d rather the howl of a timber wolf in the Ural steppes
than a symphony of domestic acts and noises.
Give me snakeroot, ice plants and snowberries
over the incumbent blah of chance and circumstance.
I’m sure your mother is a darling, soul and flesh,
but I’d prefer the fall of light and gods and angels,
the song of the devil by the pale moonlight,
a nation of astronomers who have never seen the planets.
Children, in the full bloom of their innocence,
a passing suburban ennui, that dirty red heart;
all very fine and well, but I’d prefer the reverend’s earlobe,
temporal bulimia, cosmic anorexia, bedlam’s feather.
Why not the Lord’s beekeepers or a scarab’s blackened brow?
Tell me how the slave despises the servant, rather than
a sheet-long litany of broken dates and sad affairs,
those nights alone with your thoughts, the trends, the currency
exchanged day to day as we go about our petty business.
I’d rather read the foolscap manuscript of typewriting apes
than of household angst and melodramatic incidents.
Why no talking dogs in your poems or jokes or magical properties?
Why not entertain the troops, so far from home?
Why not be interesting?
Bruce McRae, a Canadian musician, is a multiple Pushcart nominee with poems published in magazines such as Poetry, Rattle and the North American Review. The winner
of the 2020 Libretto prize and author of four poetry collections and seven chapbooks, his next book, ‘Boxing In The Bone Orchard’ is coming out in the Spring of 2025 via Frontenac House.
Cherita Terbalik : Barbara Anna Gaiardoni
for the festival of peoples
they even brought puppets
for a play
loud silence comes
over the crowd
final game set

Barbara Anna Gaiardoni is among the winners of the 7th Basho – an international English Haiku
Competition and has been nominated twice in the Touchstone Award 2023 and 2024.
She has been recognized in The Mainichi’s Haiku in English Best list for 2023 and 2024 and received an Honorable Mention at the Fujisan Tanka Contest 2024.
Her Japanese-style poetry has been published in 250 international magazines and translated into 12
languages. Drawing, swimming in the sea and walking in nature are her passions.
“I can, I must, I want” is her motto.

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